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September 2016 rare-string instrument intelligence

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8 headlines

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Schubert’s Great and Mahler–Berg connections explored brilliantly by Wilma Smith and Orchestra Wellington

middle-c.org

The post discusses a concert by Orchestra Wellington conducted by Marc Taddei with Wilma Smith (violin) featuring Mahler: Adagio from Symphony No. 10 (Deryck Cooke version), Berg: Violin Concerto In Memory of an Angel, and Schubert: Symphony No. 9 in C, at the Michael Fowler Centre on Saturday 10 September 2016 at 7:30 pm.

A 300-year-old violin with a tale to tell takes the stage, Am-Pol Eagle - BPO

bpo.org

The article covers Joshua Bell performing with the Buffalo Philharmonic Orchestra using the Gibson ex Huberman Stradivarius, a violin first crafted in 1713 by Antonio Stradivari that was owned by Bronislaw Huberman. It notes Huberman's Polish origins, his orchestral work in Palestine, and the violin's thefts and recovery, as well as Bell's reflections and the concert details for September 17.

Pirastro Perpetual cello string set winners announced

theviolinchannel.com

The Violin Channel reports five winners of Pirastro Perpetual cello string sets: Sigita Ramoniene (Lithuania), Michael Hill (United States), David Eccles (United States), Wiltrud Heveling (Germany), and Cheryl McMaster (Scotland). The article notes that Perpetual cello strings are designed for minimal play-in time with a wide dynamic range.

Das Geheimnis der Cremoneser Geigen: Ist der Stradivari-Code geknackt?

br-klassik.de

The BR-KLASSIK interview discusses Simone Zopf, a violin maker, and her students from Hallstatt Fachschule für Instrumentenbau who claim to have deciphered an construction principle of Stradivari violins. They highlight the measuring unit 18.66 millimeters and describe how concentric circles from the violin center are used to determine outlines, with measurements taken on five Stradivari in Cremona and Paris, noting the width and length relationships (11x and 19x the unit).

Restless tranquility: Cikada ensemble plays Feldman in Oslo

bachtrack.com

The review discusses Morton Feldman’s final work, Piano, Violin, Viola, Cello, performed by the Norwegian ensemble Cikada in Oslo. It highlights the work's meditation on time, its 75-plus-minute duration, the gradual metamorphosis of harmonies, the steady piano procession, and the calm yet uneasy emotional atmosphere.

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