Anthony Venutolo reports on a solo disc by Garth Knox that centers on the viola da gamba and viola d'amore, highlighting Knox's virtuosity with the archaic viola d'amore and including performances with cellist Agnes Vesterman on a program that pairs Baroque pieces by Ariosti, Hume, and Marais.
Audiophile Audition reviews Paul Juon Piano Quartets Op. 50 and 37, Rhapsodie, performed by Oliver Triendl (piano), Daniel Gaede (violin), Hariolf Schlichtig (viola), and Peter Burns (cello) on CPO. The article discusses Juon’s stylistic blend and the performers, noting Op. 50 as highly regarded and the Rhapsodie as captivating.
Three friends studying early music in Frankfurt, Germany form a chamber trio called Viola Bastarda, using violin, viola da gamba, and G violone. They plan two regional performances, featuring works by Corelli, Purcell, Vitali, and Gibbons.