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January 2006 fine-art market intelligence

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Fine art

Museum renounces claim to Munch painting

mg.co.za

The National Gallery in Berlin renounces any claim to Summer Day, a 1903 Edvard Munch painting that Nazi authorities condemned as degenerate and which Norwegian collector Thomas Olsen had sold abroad; Olsen's son Fred Olsen has 12 Munch works up for sale at Sotheby’s, with three Olsen Munch paintings shown in Germany before a London auction.

Fine art

LACMA acquires large Ruscha print collection with donor-funded gift

latimes.com

The Los Angeles County Museum of Art (LACMA) received a donation funded by Jane Nathanson and Marc Nathanson to purchase 156 Edward Ruscha prints, expanding the museum’s Ruscha holdings from 87 to a larger collection. The gift covers works from Ruscha’s career, with about two dozen pieces still to be found elsewhere, and includes Ruscha’s first print, Dorothy Ruscha (1960 woodcut). The announcement notes Ruscha’s prominence in printmaking and mentions past and potential auction values of his works.

Fine art

Art stolen by Nazis to be returned to family heir

nbcnews.com

Maria Altmann, heir to the Bloch-Bauer family, will have five Gustav Klimt paintings returned by Austria after an arbitration court ruling; the works include Adele Bloch-Bauer I, valued at about $150 million collectively, with exact paintings and their estimated worth discussed in connection with the case.

Fine art

$200 million in Nazi-looted paintings returned

jta.org

The article discusses Gustav Klimt paintings valued at $200 million being won by Maria Altmann, the niece of Ferdinand Bloch-Bauer, after a lengthy legal battle. It mentions the famous Adele Bloch-Bauer portrait and notes that five Klimt paintings were awarded to Altmann and her heirs, with some works likely staying at the Austrian Gallery while others would be transferred after compensation.

Fine art

Jean Dufy painting leads Weschler’s fine art auction at $52,875

antiquesandthearts.com

Jean Dufy, the French artist (1888-1964), is the top lot at Weschler’s December 3 sale, selling for $52,875. Also featured were Pablo Picasso and Angel Botello works, with Picasso’s etching and aquatint selling for $44,650 and Botello’s oil on panel bringing $39,950.

Fine art

Court awards Nazi-looted artworks to L.A. woman

latimes.com

Maria Altmann, who now lives in Los Angeles, wins arbitration against Austria to recover five Gustav Klimt paintings valued at about $150 million, including the portrait of Adele Bloch-Bauer. The ruling, issued by an Austrian arbitration court, will be binding and requires Austria to return the artworks. The decision follows a long legal battle and prior U.S. Supreme Court involvement.

Fine art

Austria expected to return paintings looted by Nazis

ocala.com

The article reports that an Austrian arbitration court ruled that Austria is legally obligated to return five Klimt paintings to Maria Altmann, the heir of the family that owned them before Nazi takeover in 1938. The works, including Adele Bloch-Bauer I, were valued at about $150 million and had been displayed in Vienna’s Belvedere castle.

Fine art

Professor Petropoulos at center of Klimt painting return

cmc.edu

Professor Petropoulos at center of Klimt painting return. The article discusses Jonathan Petropoulos’s role in the return of five Klimt paintings to Maria Altmann following a legal and arbitration process in Austria and the United States.

Fine art

Insurance helps Santa Fe museums with art acquisitions

insurancejournal.com

New Mexico’s Museum of Fine Arts acquired a 1923 Stuart Davis painting, New Mexican Peak, using $700,000 from an insurance settlement related to a 2003 O’Keeffe theft. The Georgia O’Keeffe Museum announced it acquired another Stuart Davis painting and works by eight other artists, plus O’Keeffe’s Ghost Ranch Landscape for its permanent collection.

Fine art

Contested Klimt paintings awarded to artist’s heirs

artnews.com

The article reports that a three-member Austrian arbitration panel ruled that the Klimt paintings belong to the descendants of Ferdinand Bloch-Bauer, not Maria Altmann. The works, valued at about $200 million, include Adele Bloch-Bauer I (1907) and Adele Bloch-Bauer II (1912), Beechwood (1903), Apple Tree I (1911–12), and Houses in Unterach am Attersee (circa 1916), and are currently held by the Österreichische Galerie Belvedere in Vienna.

Fine art

Rauschenberg’s Combine show fuels sharply rising prices

artnews.com

Rauschenberg’s combines are showcased at the Metropolitan Museum of Art in New York, highlighting their ongoing impact and high demand. The article notes how the works, once inexpensive, are now highly sought after, with major institutions and private collectors holding works and high-profile private sales illustrating the market strength.

Fine Art

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